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Open Research in the Humanities: Research Evaluation
Authors: Emma Gilby, Matthias Ammon, Rachel Leow and Sam Moore This is the sixth and final of a series of blog posts, presenting the reflections of the Working Group on Open Research in the Humanities. Read the opening post here. The working group aimed to reframe open research in a way that was more meaningful to humanities disciplines, and their work will inform the University of Cambridge approach to open research. This post discusses opportunities and challenges for research evaluation in the arts and humanities. The direction of travel in the Open Research discussion is away from any straightforward use of metrics in research evaluation. This is hugely in favour of…
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Open Research in the Humanities: public engagement
Authors: Emma Gilby, Matthias Ammon, Rachel Leow and Sam Moore This is the fifth of a series of blog posts, presenting the reflections of the Working Group on Open Research in the Humanities. Read the opening post here. The working group aimed to reframe open research in a way that was more meaningful to humanities disciplines, and their work will inform the University of Cambridge approach to open research. This post public engagement in a humanities perspective. The open access movement is fundamentally about public engagement in its broadest sense. It also allows for reflection on a differentiated notion of ‘public’, where publics can be specific as well as general (‘the…
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Open Research in the Humanities: CORE Data
Authors: Emma Gilby, Matthias Ammon, Rachel Leow and Sam Moore This is the third of a series of blog posts, presenting the reflections of the Working Group on Open Research in the Humanities. Read the opening post at this link. The working group aimed to reframe open research in a way that was more meaningful to humanities disciplines, and their work will inform the University of Cambridge approach to open research. This post reflects on the concept of FAIR data and proposes an alternative way of thinking about data in the humanities. As a rule, data in the arts and humanities is collected, organised, recontextualised and explained. We are therefore…
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Open Research in the Humanities: The Future of Scholarly Communication
Authors: Emma Gilby, Matthias Ammon, Rachel Leow and Sam Moore This is the second of a series of blog posts, presenting the reflections of the Working Group on Open Research in the Humanities. Read the opening post here. The working group aimed to reframe open research in a way that was more meaningful to humanities disciplines, and their work will inform the University of Cambridge approach to open research. This post considers the future of scholarly communication from a humanities perspective. PILLAR ONE: THE FUTURE OF SCHOLARLY COMMUNICATION This first pillar deals with ‘open access’ narrowly understood: the future of the publication landscape, and the question of the sustainability and viability…
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Open Research in the Humanities
Authors: Emma Gilby, Matthias Ammon, Rachel Leow and Sam Moore This is the first in a series of blog posts, presenting the reflections of the Working Group on Open Research in the Humanities. The working group aimed to reframe open research in a way that was more meaningful to humanities disciplines, and their work will inform the University of Cambridge approach to open research. This post introduces the working group and provides a top level overview of the issues the group discussed between July and December 2021. The Working Group on Open Research in the Humanities was chaired by Prof. Emma Gilby (MMLL) with Dr. Rachel Leow (History), Dr. Amelie…
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Image Copyright and Open Access in the Arts and Humanities
Copyright is a crucial topic in the Humanities because researchers in several disciplines (especially history of art, my field of study) rely on images for their work and because publishers usually require authors to pay copyright holders for permission to reproduce those images – failure to do so would make the author and the publisher liable for copyright infringement. At the OSC Symposium last 2nd October 2019 (Open Access Monographs: From Policy to Reality), Dr Nicola Kozicharow’s presentation on ‘Open Research Publishing in the Humanities’ made quite an impact on the discussions of the day. This early career historian of art, specialised in 19th– and 20th-century European and Russian art, talked about the challenge of publishing when third-party image copyright is involved. She detailed the difficult and sometimes grotesque situations that she…
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Disruptive innovation: notes from SCONUL winter conference
On Friday 27 November Danny Kingsley attended the SCONUL Winter Conference 2015 which addressed the theme of disruptive innovation and looked at the changes in policy and practice which will shape the scholarly communications environment for years to come. This blog is a summary of her notes from the event. The hastag was #sconul15 and there is a link in Twitter. Disruptions in scholarly publishing Dr Koen Becking, President of the Executive Board, Tilburg University, spoke first. He is the lead negotiator with the publishers in the Netherlands. Things are getting tight as we count down to the end of the year given the Dutch negotiations with Elsevier (read more in ‘Dutch boycott…
