Tag Archives: Open Research

Open Research in the Humanities

Authors: Emma Gilby, Matthias Ammon, Rachel Leow and Sam Moore

This is the first in a series of blog posts, presenting the reflections of the Working Group on Open Research in the Humanities. The working group aimed to reframe open research in a way that was more meaningful to humanities disciplines, and their work will inform the University of Cambridge approach to open research. This post introduces the working group and provides a top level overview of the issues the group discussed between July and December 2021.

The Working Group on Open Research in the Humanities was chaired by Prof. Emma Gilby (MMLL) with Dr. Rachel Leow (History), Dr. Amelie Roper (UL), Dr. Matthias Ammon (MMLL and OSC), Dr. Sam Moore (UL), Prof. Alexander Bird (Philosophy), and Prof. Ingo Gildenhard (Classics). We met for four meetings in July, September, October and December 2021, with a view to steering and developing services in support of Open Research in the Humanities. We aimed notably to offer input on how to define Open Research in the Humanities, how to communicate effectively with colleagues in the Arts and Humanities (A&H), and how to reinforce the prestige around Open Research. We hope to add our perspective to the debate on Open Science by providing a view ‘from the ground’ and from the perspective of a select group of humanities researchers. These disciplinary considerations inevitably overlap, in some measure, with the social sciences and indeed some aspects of STEM, and we hope that they will therefore have a broad audience and applicability.

Academics in A&H are, in the main, deeply committed to sharing their research. They consider their main professional contribution to be the instigation and furthering of diverse cultural conversations. They also consider open public access to their work to be a valuable goal, alongside other equally prominent ambitions: aiming at research quality and diversity, and offering support to early career scholars in a challenging and often precarious employment landscape.  

Although A&H cover a diverse range of disciplines, it is possible to discern certain common elements which guide their profile and impact. These common elements also guide the discussion that follows.  

  • A&H colleagues tend to produce longer and more intensively edited books and articles. The in-depth study of 80,000 words+ is still considered to be a particularly useful and therefore prestigious research output. This work is deeply reliant upon the additional work of librarians, translators, copy editors, managing editors, general editors, etc., all of whom are highly skilled professionals in their own right. 
  • A&H scholars would often go further than our STEM colleagues in wanting the open access version of our work to correspond to the final version of record, as opposed to an unformatted (and therefore unfinished) ‘accepted manuscript’ or ‘preprint’. This is because, as just mentioned, editorial activity (the work as process) is a vital part of the end result (the work as product). Moreover, in A&H, citations often refer to individual pages rather than to an article as a whole, so having access to versions with differing pagination is unhelpful for authors and readers. 
  • A&H work can be vastly commercially profitable, especially in the entertainment industries, but often has an indirect commercial use value, and one does not get the sense that profiteering is a discipline-wide issue. Far fewer A&H journals would be owned by for-profit multinational businesses. They tend instead to be closely connected to scholarly societies, who themselves plough their profits back into running conferences and supporting communities and early career scholars, while maintaining a diverse set of publishing arrangements with university or smaller scholarly presses. The complaint from colleagues in STEM that profit-oriented journals ‘take our work and then sell it back to us’ is less frequently heard in A&H contexts; A&H researchers would perhaps tend to have a less antagonistic relationship to publishers than in STEM.  
  • A&H scholars do not tend to produce data from scratch via experiment. The material that we work with would often be available in the form of printed texts or images, or generated via discussion in the case of, say, oral histories or interview pieces. However, we also often deal with data that we do not own. In these cases, we pay to publish from private archives or collections or from other resources that are under copyright.   
  • A much smaller percentage of A&H research is funded by the research councils than is the case in the STEM subjects.  To an extent, this follows from the fact that (notwithstanding the copyright payments mentioned above) A&H research is often less expensive to carry out than STEM research, requiring less equipment, space etc. Even so, there is a significant funding gap in the A&H, often partially filled by registered charities such as the Leverhulme Trust, the British Academy, etc. Department and faculty research budgets are vanishingly small.  
  • Many A&H researchers (often in fields such as music, art history, drama and so on) are located outside the higher education system altogether, working for instance in museums, galleries, private houses or collections, theatres, or charities.  
  • It is less the case in the A&H than in the sciences that English is the international language of communication. Indeed, publication in foreign-language journals or the translation of one’s books into languages other than English would be a particular mark of prestige in the A&H, demonstrating international reach, irrespective of the size of the publics reached.  

The Five Pillars of Open Research in the Arts and Humanities: Opportunities for Cultural Change 

The Working Group set itself the task of revisiting a document produced in 2018 by the League of European Research Universities (LERU): Open Science and its Role in Universities: A Roadmap for Cultural Change. LERU’s ‘eight dimensions of open science’, often referred to as the ‘eight pillars’, are as follows: 

  1. The Future of Scholarly Publishing 
  1. FAIR data (findable, accessible, interoperable and reproducible) 
  1. The European Open Science Cloud (EOSC) 
  1. Education and Skills 
  1. Rewards and Incentives 
  1. Next-generation Metrics 
  1. Research Integrity 
  1. Citizen Science  

The outline and detailed descriptions of the ‘eight pillars’ are often explicitly or implicitly science-based, and reflect assumptions about knowledge production in the STEM disciplines. We have now rewritten these to give the ‘five pillars of open research in the arts and humanities’. A more detailed examination of each pillar follows, as a way to structure our recommendations for the ways in which our institution, and HE institutions in general, can support open research in the A&H. In each of the five sections, detailed in the next five blog posts, opportunities are noted and recommendations for institutional support, development and training are given.

  1. The Future of Scholarly Communication
  2. CORE Data
  3. Research Integrity and Care 
  4. Public Engagement
  5. Research Evaluation

The full, citable report is available in Apollo: https://doi.org/10.17863/CAM.86734

Open Research at Cambridge Conference – Opening session

The Open Research at Cambridge conference took place between 22–26 November 2021. In a series of talks, panel discussions and interactive Q&A sessions, researchers, publishers, and other stakeholders explored how Cambridge can make the most of the opportunities offered by open research. This blog is part of a series summarising each event. 

The opening session, chaired by Dr Jessica Gardner (University Librarian and Director of Library Services) included talks by Professor Anne Ferguson-Smith (Pro-Vice-Chancellor for Research), Professor Steve Russell (Acting Head of Department of Genetics and Chair of Open Research Steering Committee), Mandy Hill (Managing Director of Academic Publishing at Cambridge University Press) and Dr Neal Spencer (Deputy Director for Collections and Research at the Fitzwilliam Museum). All four speakers foresee an increasingly open future, with benefits for both institutions and researchers. They also considered some of the challenges that still need to be worked through to avoid potential problems.

What is working well?

In recent years, we have made great progress in the proportion of publications that are open access. Over three quarters of publications with Cambridge authors last year were openly available in some form.

The trend is continuing and it is not unique to our institution. CUP have set an ambitious goal for the vast majority of research articles they publish to be open access by 2025.

Other forms of publication are becoming common, meeting different dissemination needs. Preprints have been the star of the show during the pandemic, allowing rapid dissemination while formal peer review follows down the line.

Diagram from Mandy Hill’s slide: ‘Increasingly open platforms and formal publishing will meet different dissemination needs’

In the scholarly communication arena, open access articles benefit from more downloads and citations. Museum-based projects involving artisans, schools and artists all found enthusiastic responses.

What can we look forward to?

Research culture is coming under the spotlight across the sector, and Cambridge has committed to an ambitious action plan to create a thriving environment to do research. Key principles include openness, collaboration, inclusivity, and fair recognition of all contributions.

Diagram from Prof Steve Russell: ‘Going Forward’

Implementing the San Francisco Declaration on Research Assessment (DORA) is part of this progress. We want to assess research on its own merits rather than on the basis of journal or publisher metrics. This also means recognising all research outputs and a broad range of impacts.

Reproducibility is increasingly recognised as critical in a number of disciplines. A developing UKRN group within the University aims to ‘take nobody’s word for it’ – but rather support reproducible workflows that underpin confidence in the conclusions of research. By sharing and rewarding best practice we can become world leaders in this area, and in open research more widely.

In the past, museum collections have tended to be documented in limited ways, with poor accessibility and interoperability, which made it hard to discover and use materials. Several exciting projects at the Fitzwilliam Museum and more broadly have started to change that. There are opportunities for a single discovery portal, tying together different collections. The Fitzwilliam Museum is also making its collection discovery process richer, by providing opportunities for deeper dives, and more connected, by linking with other collections and resources.

Deep zoom access to an image in the Fitzwilliam collection. Adapted from Dr Neal Spencer’s slide ‘Fitzwilliam Museum Collections Search’.

What problems should we be mindful of?

There are still barriers that hinder some open research aspirations. Historical constraints on the ways we find materials, conduct research, and publish results remain. Some systems may need to be reimagined, while not scrapping structures that are still serving us well.

Cambridge is a large and complex institution, where change takes time. Nevertheless, there is an established governance structures and an evolving set of policies that support open research.

Most importantly, researchers should be at the centre of the move towards open research. It is important that they benefit from open practices, rather than finding themselves torn between competing priorities. Conversations continued throughout the week to explore possible approaches in different disciplines, drawing from the rich diversity of experiences to shape the future of open research at Cambridge.

Practical steps toward more reproducible research

The Open Research at Cambridge conference took place between 22–26 November 2021. In a series of talks, panel discussions and interactive Q&A sessions, researchers, publishers, and other stakeholders explored how Cambridge can make the most of the opportunities offered by open research. This blog is part of a series summarising each event. 

On 26 November 2021 the University’s Reproducibility Working Group hosted a workshop for researchers from across Cambridge to explore approaches to supporting more reproducible research. Talks were provided by Professor Alexander Bird (Faculty of Philosophy), Dr Florian Markowetz (Cancer Research UK Cambridge Institute) and Dr Maria Tsapali (Faculty of Education) exploring approaches to reproducible research and reasons to work reproducibility across qualitative and quantitative research.

The recording of the session can be found below:

Talks were followed by interdisciplinary discussion sessions designed to identify the obstacles to reproducible research across Cambridge and how these might be tackled.  The key findings from the discussions included:

  • Training on reproducibility, including statistical training, reproducible methods and use of key tools exist in departments across the University, but more needs to be done to share provision and create synergies and central provision where possible. 
  • Training should begin at undergraduate or Masters level to build key skills early.
  • Awareness of training, and the importance of reproducibility training, needs to be enhanced.
  • The need for University guidance on how to make research reproducible, particularly to overcome key challenges to reproducibility such as balancing reproducibility with the need to protect sensitive or confidential data.
  • That the University can help by making the production of open and reproducible research as painless as possible, for example by facilitating peer review of codes and providing easy access to data storage and expertise in best practice.
  • That reproducibility looks very different across the disciplines and that in some areas transparency and methods reproducibility will be the focus, rather than reproducible outcomes.

The Reproducibility Working Group will draw on the ideas raised at this workshop to help shape proposals for future University approaches to supporting reproducible research. The group plans to host a number of further events to map, consolidate, and extend existing resources for reproducibility across Cambridge with the aim of boosting grassroots activities and magnifying their impact across all levels of the institution.

For more information and resources on reproducible research see: UK Reproducibility Network: https://www.ukrn.org/