Tag Archives: policy

Data Diversity Podcast (#4) – Dr Stefania Merlo (2/2)

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We return with another post featuring our Data Diversity conversation with University of Cambridge Data Champion, archaeologist Dr Stefania Merlo from the McDonald Institute of Archaeological Research, the Remote Sensing Digital Data Coordinator and project manager of the Mapping Africa’s Endangered Archaeological Sites and Monuments (MAEASaM) project and coordinator of the Metsemegologolo project. This post is short in word count but not in importance, as it touches on two reflections on the challenges of data management as a researcher who works in a global context, two aspects of present-day academia that may be relevant to many readers. This edition follows on from the previous post where Stefania talks about the challenges of extending UK-based Open Data policies to non-UK communities that may not share the same enthusiasm for making their cultural heritage artefacts available Open Access.  

In this post, Stefania reflects on how she conducts herself as a European researcher working in the African continent where her intention may sometimes be misaligned with the local data co-creators. Stefania also shares the challenge of academic mobility, where migrating from one academic institution to another results in data that is left behind, provoking an uncomfortable thought: what would happen to your data when you are suddenly rendered uncontactable? 

One would like to think that this is a rare situation, but I suspect that the situation where somebody passes away unexpectedly or even not, or somebody retires and has not made a plan for what happens to an entire careers’ data set happens more often than we know. I think it is an individual’s responsibility to make plans, but I think support should be given by the institutions and people should be accompanied through this path. – Dr Stefania Merlo

Working in the African continent and being honest about the objectives of research 

Working in Africa and in African countries, gives somebody coming from a European background, and an Italian background like me, a particular set of challenges and opportunities, because you encounter a different set up with everything – with life, and with research. Living and working in this context in various African countries, allows a researcher coming from a different background to question and challenge themselves on how they do their work. Many things that are taken for granted in other settings cannot be taken for granted in that setting. In particular that relationship with the land, with nature, and with the past. Any archaeologist that works in this setting would tell you that there are certain things that you just know from very early on that you should do. For example, although we’re dealing with the past of archaeological landscapes, you don’t just go and do your work there without acknowledging that these landscapes come in spaces and areas occupied by people today, and that those people are the custodians of the land and of the archaeology today. So there needs to be a deep engagement with communities and with people even before you put your spade in the ground. And it takes time to build relationships of trust, and relationships that then allow you to do work on your own or together, depending on what the aim of your research is.

When I do work that fulfills certain academic goals that may not be of interest to the communities that I work with, I think it is better to be honest and tell them that I’m doing this piece of work because there is an archaeological question that probably only archaeologists are interested in, and this is the part of work that I’m doing. At the same time, I think it is also important then to acknowledge that you work in a setting that includes other people, and start thinking about what work you can do with the people that are custodians of or inhabit a particular part of the world. Then you start thinking, OK, there’s a different set of activities that I can do with people that people want to do with me and let’s do that. I think that it is important to have this honesty of saying that particular things are of interest to me and to my academic community that I would like to do, and then we can negotiate together. You have to engage with the community, and I think we should be a bit more honest and a bit more specific about what the expectations from both parties are, and from the setting, we’re coming and the setting we’re going to. 

There are certain academic activities that I’m expected to do that are of no interest whatsoever for the communities that I’m working with, such as the academic publications on which my career rests. Then, there are other things that the communities are interested in that will give me no weight whatsoever in my academic career but contribute to building a relationship with the local community. These give me so much fulfillment because I realise that I am doing research work that is useful not only for my academic community, but for other people, be it students, colleagues elsewhere in the world, or the building of policies around archaeological heritage. 

Global researcher, global data 

LO: As someone who has engaged in research all over the globe, how do you deal with data that is in various places around the world? 

SM: How do I deal with my data? – poorly. I may be a digital data champion, but it has been a difficult road, and it is still a difficult road, that of even managing and curating my own data. Just to give you an example, a lot of the data I’ve collected for the past 20 years is both in analog and digital format for the same project. I have some data with me here (in Cambridge) and I still have data backed up in hard drives that I haven’t opened in a long time. The majority of my analogue data sets, maps, drawings, diaries, I have left behind in South Africa when I moved here, and I haven’t been able to bring them with me. Some of my materials are in Italy with my family. Some of my diaries I had left back in Cambridge when I left to go to Botswana in 2006 and somehow got lost. So, it has been messy and I’m not proud of it. But I’m saying it because it is a problem with a lot of researchers that have become highly mobile and have migrated from one place to another, in some cases without sufficient funding to bring all of the paperwork with them. I have been a messy data collector, since my undergraduate and PhD days, and I’ve been trying to train myself to be better, I’m still not there yet, and in part it’s just me. But I think it has also to do with this very high mobility and having to change institutions in my career so many times. And what changed is not only the location, but the requirement of what you do with data where you put it, how you avail it to yourself and to others.

And so yes, I’m not very good at it but I’m trying very hard to find a way of now putting everything together because I do feel the responsibility that comes with collecting data in different countries. Some of it is actually information that was given to me from community members or friends, or colleagues that I work with and it’s with me. 
It’s their work, it’s with me and if anything ever happens to me – if I were to change institutions, or if anything were to happen to me, including losing my memory – let me put it like that – what’s going to happen? I’ve never really thought of what would happen if I were to move or to shift? I left my previous institution quite abruptly and during COVID, and I was able to take some materials out, but some other materials I didn’t get access to and they are still all over the place.  

And then I started thinking: I have never made a plan for this kind of situation to happen. So what am I going to do now in order to make sure that these data are usable and useful for me, but perhaps also to others when I’m not present as the curator that will be able to tell you what each data asset is. I’m not even talking about the creation of metadata. Most of my photographs, digital photographs, for example, have got metadata that have been ordered. But archaeological datasets are complex, fragmented and can be dispersed so the main challenge is how would you connect the photographs with the drawings within my diary? Of course, there are dates, but it’s going take so much time for somebody else to put all of it together, especially because half of it is in digital format and half of this is in analog format. That is going be a nightmare and may not even be doable. And so, I’ve become acutely aware of the fact that we never think of this situation. We rarely think about handing over data to others in a particular form that will allow others accessibility and ability to still reuse this complex interrelated data if they were to do so. 

Worst case (data) scenario

I have another example. One of my collaborators and mentors in South Africa passed away quite suddenly a couple of years ago. They had never made a plan for what would happen to their materials. They published prolifically, so we know a lot of the research that was done over 50 years, but I am aware that they had so much more material, both physical material and files in computers. Their physical collection was transferred from their house to the University by another colleague but, to the best of my knowledge, to date, no one has been able to get access to the digital data, stored in a password protected computer. One would like to think that this is a rare situation, but I suspect that the situation where somebody passes away unexpectedly or even not, or somebody retires and has not made a plan for what happens to an entire career’s data set happens more often than we know. I think it is an individual’s responsibility to make plans, but I think support should be given by the institutions and people should be accompanied through this path. In particular, perhaps academics from other generations that may not be so knowledgeable about how to deal with data management. In particular of digital data, but also of analog data. 

Once upon a time, archaeologists used to just put everything into a library or an archive so at least we have the analog records. But again, putting them together and having them make sense is extremely difficult if we don’t think of a framework for doing so. Another issue that I’ve mentioned before is mobility. You know, how do we assist researchers that have got high mobility to deal with this every time they move? I don’t have an exact formula, but when I changed institutions before, both the institution that I was leaving and the ones that were accepting me, I was never asked ‘do you need any financial or other kind of help to transfer your data?’ I was asked to fill in forms for transferring my goods, I was given money for my visa, but nobody ever asked about my academic research and the related data. 

We once again thank Stefania for taking the time to speak to us and giving us food for thought. Stefania raises, we believe, a very important question – are we taking for granted that we will always be at hand to ensure that the data that we produce will be understood? Researchers tend to wait until a project is completed before supplying their data with the information needed to make them understood and reusable. If there’s one thing that Stefania brings to mind, is that data FAIR-ness needs to be implemented from the onset of a project and then at every juncture of the project’s lifecycle, as the research unfolds. That way, the research data will be reusable in a self-contained manner. 

Data Diversity Podcast (#4) – Dr Stefania Merlo (1/2) 

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Welcome back to the fourth instalment of Data Diversity, the podcast where we speak to Cambridge University Data Champions about their relationship with research data and highlight their unique data experiences and idiosyncrasies in their journeys as a researcher. In this edition, we speak to Data Champion Dr Stefania Merlo from the McDonald Institute of Archaeological Research, the Remote Sensing Digital Data Coordinator and project manager of the Mapping Africa’s Endangered Archaeological Sites and Monuments (MAEASaM) project and coordinator of the Metsemegologolo project. This is the first of a two-part series and in this first post, Stefania shares with us her experiences of working with research data and outputs that are part of heritage collections, and how her thoughts about research data and the role of the academic researcher have changed throughout her projects. She also shares her thoughts about what funders can do to ensure that research participants, and the data that they provide to researchers, can speak for themselves.   

This is the first of a two-part series and in this first post, Stefania shares with us her experiences of working with research data and outputs that are part of heritage collections, and how her thoughts about research data and the role of the academic researcher have changed throughout her projects. She also shares her thoughts about what funders can do to ensure that research participants, and the data that they provide to researchers, can speak for themselves.   

I’ve been thinking for a while about the etymology of the word data. Datum in Latin means ‘given’. Whereas when we are collecting data, we always say we’re “taking measurements”. Upon reflection, it has made me come to a realisation that we should approach data more as something that is given to us and we hold responsibility for, and something that is not ours, both in terms of ownership, but also because data can speak for itself and tell a story without our intervention – Dr Stefania Merlo

Data stories (whose story is it, anyway?) 

LO: How do you use data to tell the story that you want to tell? To put it another way, as an archaeologist, what is the story you want to tell and how do you use data to tell that story?

SM: I am currently working on two quite different projects. One is Mapping Africa’s Endangered Archaeological Sites and Monuments (funded by Arcadia) which is funded to create an Open Access database of information on endangered archaeological sites and monuments in Africa. In the project, we define “endangered” very broadly because ultimately, all sites are endangered. We’re doing this with a number of collaborators and the objective is to create a database that is mainly going to be used by national authorities for heritage management. There’s a little bit less storytelling there, but it has more to do with intellectual property: who are the custodians of the sites and the custodians of the data? A lot of questions are asked about Open Access, which is something that the funders of the projects have requested, but something that our stakeholders have got a lot of issues with. The issues surround where the digital data will be stored because currently, it is stored in Cambridge temporarily. Ideally all our stakeholders would like to see it stored in a server in the African continent at the least, if not actually in their own country. There are a lot of questions around this. 

The other project stems out of the work I’ve been doing in Southern Africa for almost the past 20 years, and is about asking how do you articulate knowledge of the African past that is not represented in history textbooks? This is a history that is rarely taught at university and is rarely discussed. How do you avail knowledge to publics that are not academic publics? That’s where the idea of creating a multimedia archive and a platform where digital representations of archaeological, archival, historical, and ethnographic data could be used to put together stories that are not the mainstream stories. It is a work in progress. The datasets that we deal with are very diverse because it is required to tell a history in a place and in periods for which we don’t have written sources.  

It’s so mesmerizing and so different from what we do in contexts where history is written. It gives us the opportunity to put together so many diverse types of sources. From oral histories to missionary accounts with all the issues around colonial reports and representations of others as they were perceived at the time, putting together information on the past environment combining archaeological data. We have a collective of colleagues that work in universities and museums. Each performs different bits and pieces of research, and we are trying to see how we would put together these types of data sets. How much do we curate them to avail them to other audiences? We’ve used the concept of data curation very heavily, and we use it purposefully because there is an impression of the objectivity of data, and we know, especially as social scientists, that this just doesn’t exist. 

I’ve been thinking for a while about the etymology of the word data. Datum in Latin means ‘given’. Whereas when we are collecting data, we always say we’re taking measurements. Upon reflection, it has made me come to a realisation that we should approach data more as something that is given to us and we hold responsibility for, and something that is not ours, both in terms of ownership, but also because data can speak for itself and tell a story without our intervention. That’s the kind of thinking surrounding data that we’ve been going through with the project. If data are given, our work is an act of restitution, and we should also acknowledge that we are curating it. We are picking and choosing what we’re putting together and in which format and framework. We are intervening a lot in the way these different records are represented so that they can be used by others to tell stories that are perhaps of more relevance to us. 

So there’s a lot of work in this project that we’re doing about representation. We are explaining – not justifying but explaining – the choices that we have made in putting together information that we think could be useful to re-create histories and tell stories. The project will benefit us because we are telling our own stories using digital storytelling, and in particular story mapping, but it could become useful for others as resources that can be used to tell their own stories. It’s still a work in progress because we also work in low resourced environments. The way in which people can access digital repositories and then use online resources is very different in Botswana and in South Africa, which are the two countries where I mainly work with in this project. We also dedicate time into thinking how useful the digital platform will be for the audiences that we would like to get an engagement from. 

The intended output is an archive that can be used in a digital storytelling platform. We have tried to narrow down our target audience to secondary school and early university students of history (and archaeology). We hope that the platform will eventually be used more widely, but we realised that we had to identify an audience to be able to prepare the materials. We have also realised that we need to give guidance on how to use such a platform so in the past year, we have worked with museums and learnt from museum education departments about using the museum as a space for teaching and learning, where some of these materials could become useful. Teachers and museum practitioners don’t have a lot of time to create their own teaching and learning materials, so we’re trying to create a way of engaging with practitioners and teachers in a way that doesn’t overburden them. For these reasons, there is more intervention that needs to come from our side into pre-packaging some of these curations, but we’re trying to do it in collaboration with them so that it’s not something that is solely produced by us academics. We want this to be something that is negotiated. As archaeologists and historians, we have an expertise on a particular part of African history that the communities that live in that space may not know about and cannot know because they were never told. They may have learned about the history of these spaces from their families and their communities, but they have learned only certain parts of the history of that land, whereas we can go much deeper into the past. So, the question becomes, how do you fill the gaps of knowledge, without imposing your own worldview? It needs to be negotiated but it’s a very difficult process to establish. There is a lot of trial and error, and we still don’t have an answer. 

Negotiating communities and funders 

LO: Have you ever had to navigate funders’ policies and stakeholder demands?  

SM: These kinds of projects need to be long and they need continuous funding, but they have outputs that are not always necessarily valued by funding bodies. This brings to the fore what funding bodies are interested in – is it solely data production, as it is called, and then the writing up of certain academic content? Or can we start to acknowledge that there are other ways of creating and sharing knowledge? As we know, there has been a drive, especially with UK funding bodies, to acknowledge that there are different ways in which information and knowledge is produced and shared. There are alternative ways of knowledge production from artistic ones to creative ones and everything in between, but it’s still so difficult to account for the types of knowledge production that these projects may have. When I’m reporting on projects, I still find it cumbersome and difficult to represent these types of knowledge production. There’s so much more that you need to do to justify the output of alternative knowledge compared to traditional outputs. I think there needs to be change to make it easier for researchers that produce alternative forms of knowledge to justify it rather than more difficult than the mainstream. 

One thing I would say is there’s a lot that we’ve learned with the (Mapping Africa’s Endangered Archaeological Sites and Monuments) project because there we engage directly with the custodians of the site and of the analog data. When they realise that the funders of the project expect to have this data openly accessible, then the questions come and the pushback comes, and it’s a pushback on a variety of different levels. The consequence is that basically we still haven’t been able to finalise our agreements with the custodians of the data. They trust us, so they have informed us that in the interim we can have the data as a project, but we haven’t been able to come to an agreement on what is going to happen to the data at the end of the project. In fact, the agreement at the moment is the data are not going to be going on a completely Open Access sphere. The negotiation now is about what they would be willing to make public, and what advantages they would have as a custodian of the data to make part, or all, of these data public.

This has created a disjuncture between what the funders thought they were doing. I’m sure they thought they were doing good by mandating that the data needs to be Open Access, but perhaps they didn’t consider that in other parts of the world, Open Access may not be desirable, or wanted, or acceptable, for a variety of very valid reasons. It’s a node that we still haven’t resolved and it makes me wonder: when funders are asking for Open Access, have they really thought about work outside of UK contexts with communities outside of the UK context? Have they considered these communities’ rights to data and their right to say, “we don’t want our data to be shared”? There’s a lot of work that has happened in North America in particular, because indigenous communities are the ones that put forward the concept of C.A.R.E., but in UK we are still very much discussing F.A.I.R. and not C.A.R.E.. I think the funders may have started thinking about it, but we’re not quite there. There is still this impression that Open Data and Open Access is a universal good without having considered that this may not be the case. It puts researchers that don’t work in UK or the Global North in an awkward position. This is definitely something that we are still grappling with very heavily. My hope is that this work is going to help highlight that when it comes to Open Access, there are no universals. We should revisit these policies in light of the fact that we are interacting with communities globally, not only those in some countries of the world. Who is Open Access for? Who does it benefit? Who wants it and who doesn’t want it, and for what reasons? These are questions that we need to keep asking ourselves. 

LO: Have you been in a position where you had to push back on funders or Open Access requirements before? 

Not necessarily a pushback, but our funders have funded a number of similar projects in South Asia, in Mongolia, in Nepal and the MENA region and we have come together as a collective to discuss issues around the ethics and the sustainability of the projects. We have engaged with representatives of our funders trying to explain that what they wanted initially, which is full Open Access, may not be practicable. In fact, there has already been a change in the terminology that is used by the funders. From Open Access, they changed the concept to Public Access, and they have come back to us to say that they can change their contractual terms to be more nuanced and acknowledge the fact that we are in negotiation with national stakeholders and other stakeholders about what should happen to the data. Some of this has been articulated in various meetings, but some of it was trial and error on our side. In other words, with our new proposal for renewal of funding, which was approved, we just included these nuances in the proposal and in our commitment and they were accepted. So in the course of the past four years, through lobbying of the funded projects, we have been able to bring nuance to the way in which the funders themselves think about Open Access. 

Stay tuned for part two of this conversation where Stefania will share some of the challenges of managing research data that are located in different countries!

Thoughts on the new White House OSTP open access memo

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Dr. Samuel A. Moore, Scholarly Communication Specialist, Cambridge University Libraries

In the USA last Thursday, the White House Office of Science and Technology Policy announced its decision to mandate public access to all federally funded research articles and data. From 2026, the permitted embargo period of one year for funded publications will be removed and all publications arising from federal funding will have to be immediately accessible through a repository. Although more details are to be announced, my colleague Niamh Tumelty, the OSC’s Head of Open Research Services, shared a helpful summary of the policy and some initial reaction here. I want to offer my own personal assessment of what the new policy might mean from the perspective of open access to research articles, something we are working hard to promote and support throughout the university.

To be sure, the new OSTP memo is big news: the US produces a huge amount of research that will now be made immediately available without payment to the world at large. Following in the footsteps of Plan S in Europe, the open access policy landscape is rapidly evolving away from embargo periods and towards immediate access to research across all disciplines. Publishing industry consultants Clarke & Esposito have even argued that this intervention will make the subscription journal all the more unviable, eventually leading to its demise.

Indeed, responses from the publishing industry have been mixed. The STM Association, for example, offer a muted one-paragraph response claiming tepid support for the memo, while organisations such as the AAP were more vocally against what they see as a lack of ‘formal, meaningful consultation or public input’ on the memo, despite the fact that many more details are still to be announced (presumably, following consultation). A similar sense of frustration was displayed by some of the authors of the industry-supported Scholarly Kitchen blog. It’s fair to say that the publishing industry itself – at least the part of it that makes money from journal subscriptions – has not welcomed the new memo with open arms.

Understandably, funders and advocacy organisations have welcomed the news. Johan Rooryck from Coalition S called the memo a ‘game changer for scholarly publishing’, while the Open Research Funders Group ‘applauds bold OSTP action’ in its response. Open access advocates SPARC described the memo as a ‘historic win’ for open access and a ‘giant step towards realizing our collective goal of ensuring that sharing knowledge is a human right – for everyone’. Certainly, for those arguing in favour of greater public access to research, the memo will indeed result in just this. But I still have my reservations.

My PhD thesis analysed and assessed the creation and implementation of open access policy in the UK. As Cambridge researchers no doubt know, the open access policy landscape is composed of a number of mandates, with varying degrees of complexity, and affects the vast majority of UK researchers in one way or another. This is for better and for worse: there is an increase in bureaucracy associated with open access policy (particularly through repositories), even though it results in greater access to research. However, when you remove this bureaucracy through more seamless approaches to OA like transformative agreements, there is a risk of consolidating the power of large commercial publishers who dominate this space and make obscene profits (a fear also shared by Jeff Pooley in his write-up of the policy). There is therefore a delicate balance to be struck between simply throwing money at market-based solutions and requiring researchers and librarians to take on more of the burden of compliance.

The problem with indiscriminate policy mandates for public access to research, such as the OSTP’s memo, is that they shore up the idea that publishing has to be provided by a private industry that is not especially accountable to research communities or the university more broadly. This is precisely because these policies are indiscriminate and therefore apply to everyone equally, which for academic publishing means benefitting those already in a good position to profit. Larger commercial publishers have worked out better than anyone else how to monetise open access through a range of different business models. As long as researchers need to continue publishing with the bigger publishers, which they do for career reasons, these publishers will always be in a better position to benefit from open access policies. It is hard to imagine how the individual funding bodies could implement the OSTP memo in a way that does foreground a more bibliodiverse publishing system at the expense of commercialism (not least because this goal does not appear to be the target of the memo).  

I do not mean to overplay the pessimism here: it is great that we are heading for a world of much more open access research. The point now is to couple this policy with funding and support to continue building the capacity of an ethical and accountable publishing ecosystem, all while trying to embed these ethical alternatives within the mainstream. This kind of culture change cannot be achieved by mandates like the OSTP is proposing, but it can be achieved by the harder work of raising awareness of alternatives and highlighting the downsides of current approaches to publishing. It is also important to reveal the ways in which research cultures shape how researchers decide to publish their work – often at the expense of experimentation and openness – and how they can be changed for the better.

So I am interested to see how the memo is implemented in practice, especially how it is funded and the conditions set on immediate access to research. I am also keen to see what role, if any, rights retention plays in the implementation and how US libraries decide to support the policy and the changing environment more broadly. Ultimately, however, the move to a more scholar-led and scholar-governed ecosystem will not occur on an open/closed binary, nor on a top-down/bottom-up one, and so we must find a range of ways to support new cultures of knowledge production and dissemination in the university and beyond.

Image taken from Public Domain Pictures